Monday, August 24, 2015

Tales from the Publisher: Embarking on the Checkerboard - Guest Piece by Ben Ravensdale!

As a quick disclaimer- "mileage may vary". In other words, the information I'm presenting here is based on my unique combination of circumstances, opportunities, and happenstance. For some people, the information I share will not align with their experiences. In that case, I ask that you contact me directly and relay your stories and experiences, so that we can discuss the differences and maybe collaborate on another post highlighting the alternate outcomes or options!

I’ve been a gamer almost my whole life.  I’ve wanted to be a writer for longer than that, and recently I realized that I want to be in business for myself.  It was inevitable that I would start working on something that let me combine my creative energies and desire to live a comfortable life.
Creating a distinct logo is essential for new companies.

Early this year, I started up a very tiny publishing business, called Ravensdale Publishing, with the intent of publishing board games that my wife and I have designed.  Because I’ve talked to a lot of people that are trying to do the same thing, I figured sharing the lessons I’ve learned might help out some folks who like the idea of getting into board game design or publishing themselves!  To that end, this is the first installment in a series of blog posts about the process, and whatever information I’ve gathered so far.  First things first – let’s talk about the decision to open the business, then talk about the decision to focus on board games.

The first piece of advice I’d like to impart is: don’t start a business hoping that you’ll find a good product.  Create a product, and form your business around that.  Starting a business costs a few hundred dollars, so it’s not a decision to make lightly.  Even if you do have one good product, you might want to think twice about starting a business.  Are you planning on this being a full-time endeavor?  If so, will one product sustain the business?  You might be better off getting a couple of solid products on paper before moving forward to incorporate your own business.   If you don’t intend to devote significant time to designing and creating more products, consider speaking with an existing publisher or studio that might be interested in buying your idea from you.

My wife and I spent a few months refining our first game before we thought it might be ready to show off in public.  Then, we went to a local game convention to get feedback from people and see how well it was received.  Luckily, it went really well!  People liked the game, and from our first demo we gained a fan or two who have been keeping track of our updates over the last year.  We then started brainstorming ideas for other games that we thought would be easy to design and fun to play.  We ended up with a dozen ideas for various games, and had a couple gems that are currently in development behind the scenes.  Based on that, we decided that we wanted to go ahead and go into business for ourselves, so that we could control our ideas and products.

At that point, we had to create our company.  Creating a company is not as difficult as people might think.  Yes, there are regulations to consider, and laws to be aware of, and decisions to make regarding what kind of company you’re creating.  However, the process can be streamlined significantly by working with a law firm that specializes in incorporating business.  For example, I went through Spiegel & Utrera, a nationwide law firm that assists with a lot of the legal nuances and other aspects of creating a company.  They also offer long-term assistance for their members, which can be invaluable when you inevitably have questions about trademarking logos or copyrighting intellectual properties.


(For the record, I know their website looks sketchy.  They are legit, though, and very helpful!)

Creating Ravensdale Publishing was only the first step in starting a business, however.  We had to consider marketing, establishing fans/customers, selecting a manufacturer for products, and a ton of other decisions.  Most of these will require their own posts to cover in detail, but I want to stress that creating a company and starting a business are two different things, and we’ve only dipped our toes into the actual business side of things.  We’ll keep you updated as we go!

In Villains and Henchmen!, the players get to play
as bad guys, defeating heroes and obstacles
to break their super-villain boss out of prison!
Some of you may be asking, “Why is it called Ravensdale Publishing if you only make board games?”.  And that’s a fair question.  Ultimately, I plan to publish novels and maybe some comic books, so I wanted that goal to be part of my company’s “identity” from the beginning.  Also, don’t forget that board games get published too, just like novels and comic books.  I want to offer publishing services to other game designers who don’t have the desire to pursue self-publishing, but want to release their games to the market.  I’ve met several game designers like that in my local community, so I know there is potential for Ravensdale Publishing to expand its brand and services, even if it’s on a small scale.

In the meantime, I’ve decided to focus on games of my own design for a few reasons.  First, it’s cheaper.  I don’t have to pay a designer for their idea, and then pay for manufacturing, shipping, and marketing.  I get to design the game itself, test it, and decide what the theme and style of the game will be entirely without monetary cost.  Second, I have a number of ideas for games, and I’d rather have the final say in how they work, how they look, and how they are presented to customers.  Third, I feel like board games are easier to promote in person – they’re interactive, and people can decide if they enjoy it by playing a turn or two.  Offering demos of a game is more natural to me than trying to explain my favorite parts of a book in such a way that other people will want to buy said book.

The biggest reason, though, is that it allows me to keep my company’s focus small.  It is much less likely for the costs and effort to expand beyond my ability to manage it as long as I focus solely on my products, and as long as those products are exclusively board games.  Once I’ve got that foundation firmly set, I’ll start looking at publishing other people’s games, and will consider branching out into other print materials.


Thanks for reading!  I’ll be putting up another post sometime in the next few weeks, and I’ll try to follow it up with at least a post per month.  The next post will focus on one of the business elements of creating a board game – manufacturing quotes (exciting, right?)!  In the meantime, folks are welcome to email me if they have any specific questions or feedback!

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Monday, August 17, 2015

10 Book to Musical Adaptations

This past weekend, I had the absolute pleasure of seeing a play I have never seen before. This is odd, considering I was one of the co-producers for it (being a producer in my community theatre is totally different from any kind of professional producer- essentially, I'm there for helping out wherever I am needed, so don't get any ideas about me being some kind of investor type).

The show was Big River. For those of you who don't know, that's a musical version of Mark Twain's 'The Adventures of Huckleberry Finn'. Now I love Mark Twain's works, and Huckleberry Finn is my favorite of his list. I never really thought about it being a musical before, but I have learned to keep an open mind anytime I see something is a musical that I did not think would make a good one.

Take, for instance, Robert Louis Stevenson's 'The Strange Case of Dr. Jekyll and Mr. Hyde'. I first heard of that musical when I was 14. I did not think it would make a good one, but I decided to see it anyway. I was so happy to be proven wrong!

So below is a list of some of the best, and rather surprising, book to musical adaptations. Enjoy!

Sorry, folks! You'll have to watch
for the next one!
1. Big River: The Adventures of Huckleberry Finn

As I said before, I love the story of Huck. What I don't love is bluegrass music. Please, cut me some slack- my introduction to it was not a good one. This particular show's music and lyrics were written by Roger Miller, a prolific bluegrass musical artist who wrote and performed a whole host of songs, including Oo-De-Lally from Walt Disney's Robin Hood. I was struck by how the music captured the sound of the river (helped along by sound cues from the techies in the sound booth), but I was most struck by the way it communicated the beautiful loneliness that a life of traveling cultivates. I can't get enough of Leaving's Not the Only Way to Go. The haunting notes transport you to a different place. If you haven't heard this music, I urge you to go out and buy a copy of it, borrow it from a library, or listen to it online. If it doesn't sound like your usual cup of tea, give it a try anyway. It didn't seem like mine, either, and I loved every single song, especially the one mentioned above and Muddy Water.

Filmmakers certainly kept the integrity
of Shrek's original design.
2. Shrek

This one is special in that is went from a book by William Steig to movie to stage adaptation. Shrek started out as a children's book about an ogre that rescues an ugly princess. Because ogres like ugly things, he falls in love with her and they live happily ever after. Honestly, it's adorable, but the films inspired by it certainly added a lot of bulk to the plot line. Often that kind of thing fails spectacularly, in my opinion. This is the exception that proves the rule, though, and I think the first Shrek movie was wonderful. It's how I first heard about Shrek, and I didn't even know it was originally a children's book until my husband told me about it. I found out about Shrek the Musical when I saw the soundtrack at the public library. I am ashamed to admit that my first thought was "Lame!" I borrowed it, anyway, and by the fourth song in, I Know It's Today, I was convinced otherwise. Some amazing songs are in this show, and the set and costume designs are mind blowing. There is a dvd version of it, and it's on Netflix. If you want to see some truly amazing live stage designs, please watch it. You'll also get to see Sutton Foster in all her brilliance as Princess Fiona.

3. Little Women
Louisa May Alcott is a member of the famous Alcott family, where they bleed ink instead of blood. Seriously, it seems like they are all writers. Louisa, though, is certainly one of the most famous, and 'Little Women' is a book that defines her writing ability and style. It is no wonder that it's become several movies and a musical. Some of the songs are not my favorites, but some of them are. When you hear Marmie sing Here Alone or Days of Plenty, she will quickly become one of your favorite characters if she wasn't already.



4. Ragtime
The book, originally by E.L. Doctrow, is not for anyone younger than high school, in my opinion, and there are several differences from the book to the musical, like the relationship between Evelyn Nesbit and Younger Brother. Both contain lots of historical figures from 1902-1912 such as Henry Ford, Harry Houdini, and 'radical anarchist' Emma Goldman. It also contains heavy discussion of political unrest, poverty, rights of laborers, sexism, and racial and immigrant conflict. True to it's name, it contains a wonderful combination of music styles, relying heavily on ragtime. If you want to know a bit more about what's going on in the musical as well as the book, just give Prologue a listen.

5. The Man of La Mancha
Don Quixote, by Miquel de Cervantes, holds true to the book in many ways, though of course unable to contain all of the wonderful and delusional adventures this man had with his comrade, Sancho Panza. This musical discusses hopes and dreams, shows how others seek to stifle them because they are not right, usual, or considered sane. Don Quixote inspires Sancho and Aldonza, the woman he sees as his Dulcinea to live with hope. Yes, it sounds cliched, but the music is phenomenal. The songs that come to mind right away are Aldonza and The Impossible Dream. Listen to that last one and tell me you didn't get goosebumps. If you do, I probably won't believe you. Bonus: Linda Eder has a fantastic version of it on her album 'Broadway My Way'.

6. Jekyll & Hyde
Stevenson's 'The Strange Case of Dr. Jekyll and Mr. Hyde' is a novella. If you haven't read it, please do. Most adaptations to screen or stage leave out the fact that the narration is done by Dr. Jekyll's friend, Mr. John Utterson, and it is a masterfully done book, as nearly everything by Stevenson is. The musical does remove the narration done by Mr. Utterson, but he is still a largely important role. The musical explores the good and evil in each person, just in case the poster didn't give that away, but the music so perfectly haunts and lingers in the ears of the listener that is's hard not to replay the album as soon as it's over. Seriously, I can't pick a song to highlight for you, so just go look it up and listen to the whole thing. Really. No, what are you still doing here? Stop reading this and go listen to the music. You can finish this article after that.

7. Cats
I almost didn't include this one on the list, but I decided to do it because it came from a different type of book. 'Old Possum's Book of Practical Cats' by T.S. Eliot is a collection of poems. About cats. That pretty much makes it amazing right there. When music is added to it, and then jaw-dropping dance numbers get tossed into the mix, it gives a whole new spin on the interpretation of poetry that has no end to fun. I know, some people find this show annoying and disjointed. To those people, I encourage you to drop the musical in your heads, and just go read the poetry. You might find that your own version of them makes them far more interesting.


8. The Color Purple
I have a confession. I have neither read this book nor have I seen or heard this musical. I am ashamed. This will be corrected, though, as I have every intention to completely change the status of that! The book, written by Alice Walker, was published in 1982, and became a musical in 2005. It won 11 Tony Awards in 2006. So it obviously has some amazing credentials. Since I have not experienced either of these pieces, though, I will move on and write more about them when I have finished my task. Onward!




9. The Secret Garden
By Frances Hodgson Burnett, this book is about Mary Lennox, a young girl who loses both of her parents to cholera while in India and has to go live with her disfigured Uncle who is still in mourning for the aunt that Mary resembles. While exploring the huge house, Mary discovers her cousin Collin, an invalid who hardly ever sees his father. If you don't know the rest of the story, I won't ruin it for you. Just make sure you read it or see one of the many movies. If you're not convinced that a musical version of this is a good idea, then listen to Winter's on the Wing.




10. Wicked
This is possibly one of the most popular musicals I have ever been exposed to. I haven't met a single person who doesn't love it. Everyone I know who has read the book has loved it. There are difference, so if you have not had the pleasure of reading, seeing, or hearing this story, do not be surprised. I think the book sticks more closely and honestly to the character of Elphaba (who was named for L. Frank Baum's initials, L.F.B.), but that doesn't mean I don't still enjoy both. This is supposed to be the true, behind the scenes story of the Witches of Oz, so don't expect to see too much of Dorothy.

These are just a sampling of the musicals out there that began as books. Books and literature influence so many different elements of the arts, and should certainly not be written off (Ha! Get it? Written off? Because they're books?). What book inspired musicals do you love? Are there any you wish I had included? Tell me in the comments!